In Conversation with Allie Alvis 

Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.

But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers–and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney–despite her training–ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?

Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes–women writers who were erased from the Western canon–to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth–and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.

Rebecca Romney is a rare book dealer and the cofounder of Type Punch Matrix, a rare book company based in Washington, DC. Rebecca is the author Printer’s Error: Irreverent Stories from Book History (HarperCollins; with JP Romney) and The Romance Novel in English: A Survey in Rare Books, 1769-1999; her current book is Jane Austen’s Bookshelf (Simon & Schuster), chronicling her efforts to build a book collection of Austen’s favorite women writers. Since 2011 she has appeared as the rare book specialist on the History Channel’s show Pawn Stars; she was also featured in the 2019 documentary The Booksellers. Rebecca is the co-founder of the Honey & Wax Book Collecting Prize, is on the Board of the Antiquarian Booksellers Association of America (ABAA), the Council of the Bibliographical Society of America (BSA), and on the Board and faculty of the Antiquarian Book Seminars. She is a member of the Grolier Club, the Association Internationale de Bibliophilie (AIB), the American Antiquarian Society (AAS), and the Baker Street Irregulars (BSI).

Allie Alvis is Curator of Special Collections of the Winterthur Library, where they are responsible for the stewardship and engagement of the collection. They have previously worked as an antiquarian bookseller at Type Punch Matrix (Washington, DC) and as the special collections reference librarian for the Smithsonian Libraries and Archives. Allie’s research is diverse and far-reaching, with interests in physical patterns of use in books, the history of ephemera, and Arts and Crafts bookbindings. They are particularly involved in the study and act of using social media for communicating book history, and maintain popular accounts across various platforms as Book Historia.

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